I don't want a US tech bro as a patron - which is why artists must defend our copyright in the age of AI | Anna Funder

· Source: AI (artificial intelligence) | The Guardian · Field: Legal & Regulatory — Intellectual Property & Patents, Regulatory Affairs & Government Relations · Depth: Fundamental Awareness, medium

Summary

Anna Funder, an author, highlights the widespread ingestion of copyrighted creative works, including her books, by AI companies without consent or payment. She details how US tech giants, valuing high-quality text as "special sauce," scraped the internet and even pirated books or physically scanned them to train large language models. These companies are lobbying governments, including Australia's, to introduce "text and data mining exemptions" or compulsory acquisition schemes to legalize their use of creative content for free. Funder notes a US\$1.5bn settlement in Bartz v Anthropic, where she received US\$3,000 for one stolen edition, but argues legal action is insufficient. She emphasizes that copyright, existing for 316 years since the 1710 Statute of Anne, is fundamental to artists' independence and democratic values, asserting that negotiation for licensing is feasible.

Key takeaway

For policymakers considering AI regulation and copyright reform, recognize that current "text and data mining exemptions" or compulsory acquisition proposals undermine established intellectual property rights. Your decisions must uphold creators' ability to license their work, mirroring existing industry practices for fair compensation. Prioritize frameworks that facilitate direct negotiation between AI developers and rights holders, rather than expropriating creative assets.

Key insights

AI companies are ingesting copyrighted works without consent, prompting legal battles and lobbying efforts against creators' property rights.

Principles

In practice

Topics

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Editorial summary, takeaway, and curation by AIssential. Original article published by AI (artificial intelligence) | The Guardian.